*๊ฐค์— ์ด๋”ฐ๊ธˆ์”ฉ ๊ฑด์ถ• ์„œ์  ์ถ”์ฒœ๋ฐ›๋Š” ๊ธ€์ด ์žˆ์–ด์„œ ์จ ๋ด„.
*์†Œ์„ค, ์ „๋ฌธ์„œ, ์˜์–ด ์ผ๋ณธ์–ด ์›์„œ ๋’ค์ฃฝ๋ฐ•์ฃฝ์œผ๋กœ ๋˜์–ด์žˆ์Œ.
*์›์–ด๋กœ ์“ด๊ฑด ๋ฒˆ์—ญ์„œ ์—†๋Š” ๊ฒƒ๋“ค์ธ๋ฐ ์ œ๋Œ€๋กœ ๊ฒ€์ƒ‰ ์•ˆํ•ด๋ด์„œ ์žˆ์„ ์ˆ˜๋„ ์žˆ์Œ.
*๊ทผํ˜„๋Œ€ ๊ฑด์ถ• ๋ฏธํ•™๋…ผ์Ÿ๊นŒ์ง€ ๋‹ค๋ฃจ๊ณ  ์‹ถ์€๋ฐ ์“ฐ๋‹ค๋ณด๋‹ˆ ํ”ผ๊ณคํ•ด์„œ ๋ฐ”๋กœํฌ ์ดํ›„๋กœ ๋‚ ๋ ค๋จน์Œ. ์–ธ์  ๊ฐ€ ์ถ”๊ฐ€ ํ• ์ˆ˜๋„..?

๊ฑด์ถ•์ด ๋ฌด์—‡์ธ์ง€ ์•Œ๊ณ  ์‹ถ๋‹ค
->๊ฑด์ถ•, ์Œ์•…์ฒ˜๋Ÿผ ๋“ฃ๊ณ  ๋ฏธ์ˆ ์ฒ˜๋Ÿผ ๋ณด๋‹ค(์ž…๋ฌธ์„œ)
์ด ์ฑ… ์ฝ๊ณ  ๊ฑด์ถ• ๋ฝ• ๋งž์•„์„œ ๊ฑด์ถ•๊ณผ ์˜จ ์นœ๊ตฌ๋“ค ๋งŽ์•˜์Œ.
->่ก—ไธฆใฟใฎ็พŽๅญฆ
->ๅปบ็ฏ‰ๆ„ๅŒ ่ฌ›็พฉ
๋™๊ฒฝ๋Œ€ ๊ฑด์ถ•ํ•™๊ณผ ๋…ธ๊ต์ˆ˜์˜ ์€ํ‡ด์ „ ๋งˆ์ง€๋ง‰ ๊ฐ•์˜๋ฅผ ์ •๋ฆฌํ•œ ๊ฐ•์˜๋ก.
ย ย 
'๊ฑด์ถ•์‚ฌ๋ž€ ๋ฌด์—‡์ด๋ฉฐ ์™œ ์ฝ์–ด์•ผ ํ•˜๋Š”๊ฐ€'๋ฅผ ์•Œ๊ณ  ์‹ถ์„ ๋•Œ
->What is architectural history?, Andrew Leach
->Meaning in Western Architecture, Norberg-Schulz

๊ฑด์ถ•์‚ฌ๋ฅผ ๊ฐœ๊ด„์ ์œผ๋กœ ํ›‘๊ณ  ์‹ถ๋‹ค
->์„œ์–‘๊ฑด์ถ•์‚ฌ(์ง„๊ฒฝ๋ˆ, ์ด๊ฐ•์—…)
ํ•œ๊ตญ ๊ฑด์ถ•ํ•™๋„๋ผ๋ฉด ํ•œ๋ฒˆ์ฏค์€ ๋‹ค ์ฝ์–ด๋ณด๋Š” ๊ฑด์ถ•์‚ฌ์˜ ๋ฐ”์ด๋ธ”.
->ๅ›ณ่ชฌ ๅปบ็ฏ‰ใฎๆญดๅฒ
์ผ๋ณธ๊ฑด์ถ•์‚ฌ, ์„œ์–‘๊ฑด์ถ•์‚ฌ, ๊ทผ๋Œ€ ๊ฑด์ถ•์‚ฌ๋ฅผ ํ•œ๊ถŒ์— ์ด ๋ง๋ผํ•˜๊ณ  ์žˆ์Œ. ๊ทธ๋ฆผ๋„ ์ถฉ์‹คํ•ด์„œ ๋น„์ „๊ณต์žํ•œํ…Œ๋„ ์ฝ๊ธฐ ์‰ฌ์šด ์ฑ…. ๋‚ด์šฉ๋„ ์ถฉ์‹คํ•ด์„œ ๋™๊ฒฝ๋Œ€ ๊ฑด์ถ•ํ•™๊ณผ ๋Œ€ํ•™์› ์‹œํ—˜ ์ค€๋น„ ์„œ์ ์ค‘ 1๊ถŒ.
->Sir Banister Fletcher's a History of Architecture
๊ฑด์ถ•์‚ฌ์˜ ๋ธŒ๋ฆฌํ…Œ๋‹ˆ์ปค ๋ฐฑ๊ณผ์‚ฌ์ „. ๋™๋‚จ์•„์‹œ์•„ ์ „ํ†ต๊ฑด์ถ•์„ ๋ง๋ผํ•  ์ •๋„๋กœ ์—†๋Š”๊ฒŒ ์—†์Œ. ์ธํ…Œ๋ฆฌ์–ด์šฉ์œผ๋กœ ์ถ”์ฒœ.

๊ทธ๋ฆฌ์Šค ๊ฑด์ถ•
Architectural space in ancient Greece

๋กœ๋งˆ ๊ฑด์ถ•
->Voyage en Gaule romaine: Coulon, Gรฉrard, Golvin
๊ฑด์ถ•๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์ƒํ™œ๋„ ๋‚˜์˜ค๊ณ , ๊ทธ๋ฆผ ๋งŽ์•„์„œ ์žผ์”€.
->๊ฑด์ถ•์‹ญ์„œ
๊ฑด์ถ•๊ณ„์˜ ๊ณ ์ „, goat.
ย ย 
๋กœ๋งˆ๋„ค์Šคํฌ
->์žฅ๋ฏธ์˜ ์ด๋ฆ„
์ดˆ๊ธฐ ๊ธฐ๋…๊ต ๊ฑด์ถ•์ด ์–ด๋–ค ๋А๋‚Œ์ธ์ง€ ํŒŒ์•…ํ•˜๊ธฐ ์ข‹์Œ.
->Romanesque Architecture, H. Kibach
->The stones of the, Abbey Fernand Pouillon

๊ณ ๋”•๊ฑด์ถ•
->Les batisseurs de Cathedrales, Gimpel
๋กœ๋งˆ๋„ค์Šคํฌ~๊ณ ๋”• ์„ฑ๋‹น์„ ๋ง๋ผํ•œ ๊ฑด์ถ•์ฑ…. ์‹ค์ œ๋กœ ์‚ฌ์šฉ๋œ ๋น„๋ก€๋ฅผ ์ด์šฉํ•œ ์„ค๊ณ„๋ฒ•๋„ ๋‚˜์™€์žˆ์„ ์ •๋„๋กœ ๋ฏธํ•™์  ์ธก๋ฉด๋ฟ๋งŒ์ด ์•„๋‹ˆ๋ผ ๋‹น์‹œ ๊ฑด์„ค ๋…ธ๋™์ž ํœด๊ฐ€์ผ์ˆ˜ ๋“ฑ ๊ตํšŒ๊ฑด์ถ•์— ๋Œ€ํ•ด ๋‹ค๋ฐฉ๋ฉด์œผ๋กœ ์„œ์ˆ ํ•˜๊ณ  ์žˆ์Œ.

๋ฅด๋„ค์ƒ์Šค
->๊ฑด์ถ•๋ก , ์•Œ๋ฒ ๋ฅดํ‹ฐ
->ใƒ‘ใƒฉใƒผใƒ‡ใ‚ฃใ‚ชใ€Œๅปบ็ฏ‰ๅ››ๆ›ธใ€ๆณจ่งฃ
๋ฅด๋„ค์ƒ์Šค์˜ ์•„์ด๋Œ ํŒŒ๋ผ๋””์˜ค์— ๋Œ€ํ•ด์„œ ๊นŠ์ด ํŒŒ๊ณ  ์‹ถ์„๋•Œ ์ข‹์Œ.
->The Art of Building Cities: City Building According to Its Artistic Fundamentals
์ผ๋ณธ์—์„œ๋Š” '๊ด‘์žฅ์˜ ์กฐํ˜•'์ด๋ผ๋Š” ์ด๋ฆ„์œผ๋กœ ๋ฒˆ์—ญ๋œ ์ฑ…. ๊ด‘์žฅ์„ ์ค‘์‹ฌ์œผ๋กœ ๋„์‹œ๊ฐ€ ์–ด๋–ป๊ฒŒ ํ˜•์„ฑ๋˜์–ด ๊ฐ€๋Š”์ง€์— ๋Œ€ํ•œ ๊ณผ์ •์ด ์‰ฝ๊ฒŒ ์“ฐ์—ฌ์žˆ์Œ.

ํ˜„๋Œ€ ๊ฑด์ถ• ๋ฐ ๋„์‹œ
->๋ฏธ๊ตญ ๋Œ€๋„์‹œ์˜ ์ฃฝ์Œ๊ณผ ์‚ถ
->Delirious New York, Rem Koolhaas

๊ทผ๋Œ€๊ฑด์ถ•์— ๋Œ€ํ•œ ๋น„ํŒ
->Complexity and Contradiction in Architecture, Robert Venturi

๊ฑด์ถ• ์ „๊ณตํ•˜๊ณ  ์‹ถ์€ ํ•™์ƒ์šฉ
->๊ฑด์ถ•, ์ „๊ณตํ•˜๊ณ  ์ด๋ ‡๊ฒŒ ์‚ฐ๋‹ค