์—ฌ์„ฑํšŒํ™”๊ธ€์“ฐ๊ธฐ ์ด์„œ 3,4๊ถŒ์œผ๋กœ ์—ํ…” ์•„๋“œ๋‚œ(Etel Adnan) ์ฑ… 2๊ถŒ
* ์ด ์ž‘๊ฐ€ ์“ด ์ฑ…์ด ๋งŽ์•„์„œ ๋ญ”์ฑ…์ธ์ง€ ใ…?ใ„น

์‹คํ—˜์˜ํ™” ์ž‘๊ฐ€ ๋„ˆ์ƒˆ๋‹ˆ์–ผ ๋„์–ด์Šคํ‚ค(Nathaniel Dorsky)์˜ ใ€Žํ—Œ์‹ ์˜ ์˜ํ™”(Devotional Cinema)ใ€

์•Œ๋ ˆ์‚ฐ๋“œ๋กœ ๋ฃจ๋„๋น„์ฝ”(Alessandro Ludovico)์˜ ์ €์„œ ใ€Ž์ „์ˆ ์  ์ถœํŒ(Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century)ใ€,
*ย  ๋ฏธ๋””์–ด๋ฒ„์Šค์—์„œ ์ถœํŒ๋œ ์  ์žˆ๋Š” ใ€Žํฌ์ŠคํŠธ๋””์ง€ํ„ธ ํ”„๋ฆฐํŠธ: 1894๋…„ ์ดํ›„ ์ถœํŒ์˜ ๋ณ€ํ™”ใ€์˜ ํ›„์†์ž‘์ด๋ผ ํ•จ

์Šคํ…ŒํŒ ๋˜์ปด(Stephen Duncombe)์˜ ์ €์„œ, ใ€Ž์ง€ํ•˜๋กœ๋ถ€ํ„ฐ์˜ ์ˆ˜๊ธฐ: ์ง„(Zine)๊ณผ ๋Œ€์•ˆ ๋ฌธํ™”์˜ ์ •์น˜ํ•™ใ€ (Notes from Underground: Zines and the Politics of Alternative Culture)


์žฌ๋ฏธ๋‚œ ์ฑ…์ด ๋งŽ์ด ๋‚˜์™€์„œ ๊ธฐ๋Œ€๋˜๋„ค

๊ฒŒ๋‹ค๊ฐ€ ์š”์ฆ˜ ๋…๋ฆฝ์„œ์ ์ด๋‚˜ ์†Œ๊ทœ๋ชจ ์ถœํŒ์‚ฌ๋“ค์„ ์‹œ์ž‘์œผ๋กœ ์ง„(Zine)์ด ์ธ๊ธฐ๋˜๋ฐ, ์ข€ ์ œ๋Œ€๋กœ ์•Œ ์ˆ˜ ์žˆ์„ ๊บผ ๊ฐ™์•„ ๊ธฐ๋Œ€๋จ